Shot with no dialogue, except for some ambient background conversation, the scene depends totally on a director's style, the cinematography, as well as the actor's expressiveness. The setting could be the pool area in the Blume household on the afternoon in the twins' birthday party. Blume sits alone, drinking whiskey, absently tossing golf balls to the pool 1 at a time, illustrating his boredom and alienation. He notices his wife flirting having a young tennis pro, but she just gives Blume a cold look. Blume gets up, shakes hands using a man who gives him a shove toward the pool, but hangs on to him to prevent him from falling in.
The film in general is created up mainly of short scenes, with extended scenes and close-ups saved for meaningful scenes like the pool scene. After Blume dives to the pool, the camera holds on him, revealing an exhausted, melancholy man vividly illustrated by Bill Murray as Blume. The colors are somewhat flat, like Blume's life, as well as the pool is filled with algae and clogged with leafs, a visualization of Blume's mind. As soon as Blume seems at the boy, and then away, it is as if he is considering just staying submerged, a kind of death wish. As opposed to Max, Blume has practically given up on life. The 1965 Kinks' dark blues ballad "Nothin' in This Globe Can Stop Me Worryin' Bout That Girl," played during the scene sets the emotional tone.
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