Understanding the various forms of baroque art requires knowledge of its historical context. The seventeenth century could be called the first modern age. Human cognisance of the world was continuously expanding. Many scientific discoveries influenced art; Galileos investigations of the planets, for example, pecker for astronomical accuracy in many paintings of the time. The assertion of the finishing astronomer Copernicus that the planets did non revolve around the earth was notwithstanding extensivey accepted after 1600. The realization that the earth was not at the center of the universe coincided in art with the scratch of pure landscape painting devoid of human figures. The bustling trade and colonization policies of many European nations accounted for numerous portrayals of foreign places and peoples.
Religion determined many aspects of baroque art. The Roman Catholic church building was a highly influential patron, and its Counter Reformation, a faeces to combat the spread of Protestantism, employed emotional, realistic, and dramatic art as a means of propagating the faith.
The simplicity of Protestantism in countries such as the Netherlands and northern Germany likewise explains the severity of the architectural styles in those areas.
Political situations as well influenced art. The absolute monarchies of France and Spain prompted the creation of works that reflected in their size and immenseness the majesty of their kings, Louis XIV and Philip IV.
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