Old Man And The Sea

Ernest Hemingways style has endured criticism after criticism; his critics argue that his limitations discover his works. The defenders of style believe these limitations should be praised for their power and meaning. Yes, the limitations should be defended, solely the word limitations does not accurately describe Hemingways style. The word limitations suggests a weakness in Hemingway, he is incapable of breaking by means of the walls. Incapable he was not. Limitations should be replaced with sure boundaries. He chose to retain within his stylistic lines in order to enhance meaning. Hemingways apprised boundaries should be defended; they are deeply meaningful and the heart of his style. Robert Weeks defends Hemingway except fails to aptly support his major premise. He succeeds in make Hemingway look like an unoriginal, repetitive writer.

In Weeks introduction, he discusses an instalment of Hemingways style in which his hero is unnoticed and his peers remain unconscious of the struggle. At the conclusion of The Old Man and the Sea, a theme of tourists do not recognize the skeleton as a marlin, but as a shark. I didnt know sharks had such(prenominal) handsome, beautifully formed tails. This absence of admiration exists in more than a few of Hemingways novels. Weeks makes the mistake of bringing this fact up, worsens things as he says Hemingway evokes again and again, continues the contradiction as he name calling the novels, and finishes the sequence by saying he uses it to end quintuplet of his six novels.



When I read that sentence, my first thoughts consist of Hemingways deprivation of creativity. His thesis and supports contradict each other; one praises Hemingway for his friend while the other exposes a seemingly idiotic writer. Had Weeks except mentioned The Old Man and the Sea, his introduction might have maintained his channel of view, rather than having it seep out through his contradiction.

Hemingways conscious boundaries do indeed provide meaning in his novels. I wish Weeks had the ability to defend Hemingway without supporting the opposite of his point of view.

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