In Bharati Mukherjees Jasmine, personnel is a motif that is dealt with at various levels. Firstly, thither is patriarchal violence directed towards women, in which Jasmine is a major receiver. Also, there is the violence that results from political disputes in South Asia, such at the Partition Riots and the rebel movements which affects Jasmines family. Jasmine herself is also an agent of violence as she kills the mad dog, and more significantly, the man who raped her.
Violence affects Jasmine; it results in a transformation. In Jasmine, violence results in a replace in circumstances and mindset. These factors shape ones character and identity. Violence forces Jasmine to change. She regenerates done violence. Each time she goes through violence, she is one step close together(predicate) to attaining an American identity. Identity, then, is a construct of ones experiences. It is fluid and changes according to ones experiences. This is exemplified in Jasmines change in name at each submit of her development. A name is not merely a dog; it reflects ones identity as well. She goes from the Indian name Jyoti, which she was born with, to the western sandwich name Jasmine which is given by her husband Prakesh, who plans to study in America.
His re-naming of her is akin to re-making her identity as he wanted her to be a modern city woman instead of a village girl. His great desire to re-make her identity is emphasized by the fact that he wanted her to break off from the [feudal] noncurrent, which he views with condescension as he feels that the village is reflexive and refers to the villagers as ignorant peasants. Jasmine is also the name with which she carries out her mission, which is a significant part of her development as she finds her legitimate identity in America.
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