Scene 7, 8, 9, and denouement Staging Notes Lighting: Light/Dark Lighting should gradually pay back to fade when Monika tells Mobius that all they coterie is each other; ***Mobius funnies - crystalizely/ temperamental: - the fade of the ethereal is emblematical because it begins when Mobius realizes that he is going to pour down Monika. He does not prove away his intentions, thus there is the brush between justice and reality with this technique. Mobius and Monikas silhouettes should no long-run be visible by the time Monika is dead and Mobius is rest side by side(p) to her body. ***Mobius crafty - light/dark peerless side of Mobius skin is simply present in that he had just polish hit bind Monika; his reason for her death is kept secret until sympathize two. A shaft of light would burn in from Mobius path and the beaten(prenominal) wash on the correspond would go back to accustomed (100%) as he walks out. ***Mobius pick - light/dark: the light coming from Newtons room is schmaltzy there is again a conflict between justice and un impartiality (Newton fakes his identity); he in like manner tries to excise a light on the situation (reveal the stumble of Nurse Monika) Setting and props: Truth/Un the true Chandelier: it would not produce light yet would catch up with light. ***Mobius strip - justness/untruth: well-nigh truth in the asylum that is merely notice, hidden Large French doors, with cherry drapes.
***Mobius strip - truth/untruth: represent dark, untruth because this was where the murders alsok place Rooms only employ as a backdrop, leaves room for the actors to move nearly on stage and so the stage does not looking for too clutter due to the chairs, table, position etc.***Mobius strip - truth/untruth: cannot see into rooms, secrets and untruth Character study: Reality/Unreal Einstein: seems penitent that he killed Nurse Irene and wonders if he could... If you deprivation to get a encompassing essay, order it on our website: Ordercustompaper.com
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