Pitch
Each syllable of a spoken content tidings (that is, with the exclusion of empty haggle like demonstratives and most pronouns) receives a distinct odour or lurch, that can be either high or low.
(UPPERCASE = high tone)
dubelete DU BE le te
dilaya di LA YA
decha DE cha
feri fe RI
Senu Yivokuchi uses train register tones; that is, each syllable starts and ends at the same pitch, as in Japanese, and foreign Mandarin Chinese (which uses contour tones). Also like in Japanese, SYV words follow a few basic pitch patterns.
If the word is monosyllabic, it may be low or high pitched. all(a) but a few words in Senu Yivokuchi that atomic number 18 polysyllabic have a pitch change surrounded by two of their syllables. This change may be a nip and tuck or a fall. There must be a change, there must be only one, and it must be somewhere by and by the first syllable and before the last one.
In addition to this, the pitch change must leave at least as many syllables later onwards itself as it leaves before. That is, a 3-syllable word must have its pitch change after the first syllable, leaving one syllable before it and two after it.
The pitch pattern of a word is indicated (throughout these pages and in the dictionary) as a number plus a mark. The number represents the syllable after which the change is located, and the mark shows whether it is a pitch fall (a backslash, ) or a pitch rise (a forward slash, /). For example:
adamet [1/] a DA MET
seosie [1] SEO sie
dubelet [2] DU BE let ...
The last example seems to reproach the rule that more syllables should be before than after the pitch change; but dubelet is a verb root, which always appears with an inflection that adds at least one syllable, thus giving a sensible pattern.
There are some other roots with irrational patterns. When...If you want to get a full essay, order it on our website: Ordercustompaper.com
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